In Paris’ Invalides Museum, memorial of Napoleon’s favourite horse Marengo outrages fans-art-and-culture information, firstpost


The paintings dubbed ‘Memento Marengo’ by artist Pascal Convert immortalises Napoleon’s loyal steed, who bore the overall by means of a number of battles earlier than being captured by British troops at Waterloo in 1815.

In Paris' Invalides Museum, memorial of Napoleon's favorite horse Marengo outrages fans

This {photograph} taken on 7 Might 2021 reveals a creation entitled ‘Marengo’, a 3D skeleton of the Napoleon’s horse hanging over the Napoleon’s tomb by French artist Pascal Convert on the Resort des Invalides. AFP.

Paris: A replica of the skeleton of Napoleon’s favourite horse Marengo has been hung over the French emperor’s tomb in Paris – to the outrage of his present-day followers as they commemorate 200 years since his loss of life.

The paintings dubbed Memento marengo by artist Pascal Convert immortalises Napoleon’s loyal steed, who bore the overall by means of a number of battles earlier than being captured by British troops at Waterloo in 1815.

Convert based mostly his work on historical traditions of horses accompanying their masters to the grave, copying the skeleton from the thoroughbred’s stays saved in London’s Nationwide Military Museum.

“I do know some folks won’t perceive this work, nevertheless it’s something however disrespectful,” stated Eric de Chassey, director of France’s Nationwide Artwork Historical past Institute (INHA) that has organized a sequence of contemporary artwork items displayed on the Invalides Museum complicated the place Napoleon is buried.

The horse skeleton “paradoxically permits a sort of re-humanisation of Napoleon,” de Chassey defined.

“Demise is the truth of battle. Since historical instances, we have had this picture of warriors ascending to heaven on horseback.”

Napoleon followers blasted the piece, with historian Pierre Branda of the Fondation Napoleon calling it “grotesque and surprising” in an opinion piece for the Figaro newspaper.

Fondation Napoleon Chief Thierry Lentz tweeted that he “could not consider” the paintings had been put in above his icon’s tomb.

Different artists with items displayed on the Invalides have taken extra direct purpose on the emperor, with China’s Yan Pei-Ming portray the second Napoleon famously topped himself, whereas Damien Deroubaix confirmed him as a black slave in chains.



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